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India is full of surprises. Every time I visit, I discover something new. After every trip, I return to New Zealand with a better appreciation of and different attitude towards the two cultures.

You were born in Bangalore and lived there until you were 12. Tell us about growing up in Southern India.

Bangalore is a city of 8 million people so it was big, busy and bustling. My immediate family includes my parents and my brother, who is eight years younger than me. School holidays were spent with cousins at my maternal grandmother’s, and after school we went to my paternal grandparents’ house – so I grew up around a lot of people.

I have vivid memories of after-school rickshaw rides to my grandparent’s house where they had an English garden and red oxide flooring. I remember the Friday evening ritual of getting street food down the road with my mum, the smell of jasmine while walking past local temples, and late night movies and lights along the central city streets.

When I was 12, my parents, who both worked in banking, opted for a change. They moved to Auckland at a time when the world and its opportunities were open to them.

You own a worker’s cottage in Onehunga with your husband Sajeev who is also doing architecture at Patterson Associates. Tell us more.

Our house is about 110 years old. I still remember the day of the open home – I was hooked straightaway. There are colonial English aspects to it that remind me of my grandparents’ house and Bangalore at times. We were very lucky to be able to buy it – at 75m2, it probably appealed to a niche market as it also has a few zoning restrictions meaning we can’t alter the exterior.

We’re still finding out things about the cottage. When we bought it, it came with a name plate outside our front door - ‘Temuka’ – and we’re working on discovering its significance. Just the other day, we met a lady who told us that our street was named after one of her ancestors. There is so much history here and I feel like we’ve only just scraped the surface.

We have a courtyard and a sleepout at the back which we are doing up and hope to rent out soon but with two design opinions in the house, things are taking longer than expected! We’ll eventually get around to renovating the main home; when we do, it’s important to us that we stay true to the heritage and history of Onehunga.

What made you decide to study architecture?

I have always been interested in drawing. I started with anatomy and moved onto objects, eventually drawing the built environment around me. This led me to doing art and design in school – but I also enjoyed the practicality of some of the sciences.

I had a few career options open but by the time I visited Auckland University for their open day, and after talking to a few teachers at school, it felt natural to go with architecture. It was a no-brainer and I’ve never looked back. I graduated in 2012.

Do you ever travel back to India?

Auckland is now home, but with the first 12 years in India, I’ve spent some of the most influential years of life in a completely different context. I still have extended family in India so I make the trip back as often as I can.

More recently, I’ve started to travel to the northern part of the country where the architecture, the people and the food are quite different to the south where I was born. I’m still ticking things off the list – the next is to get to Chandigarh, the city that was planned by Le Corbusier.

India is full of surprises. Every time I visit, I discover something new. After every trip, I return to New Zealand with a better appreciation of and different attitude towards the two cultures.

How does your cultural background affect the way you think about design?

I revisited India while I was studying architecture and learnt a lot about what is embedded in its culture. Indian art, textiles and architecture are all heavily crafted. From the historic places such as the Taj Mahal and Fatehpur Sikri, to brass sculptures and sarees, there is crafting everywhere and at every scale. This reminds me a bit of what we do here at Warren and Mahoney. Even though we have some great large scale projects, every aspect is designed and articulated, every staircase is treated like sculpture, while every detail is scrutinised. We get to work on craft at the micro and macro level on a day-to-day basis.

As part of the Wynyard Quarter Innovation Precinct team, I was fortunate to work on larger scale elements as well as smaller – for example, the signage on the Mason Bros. building. That was an exercise in itself and I took inspiration from the original engineering company logo.

Although I’m slowly losing the time to do things, I try to maintain this idea of crafting through a few community courses, the highlights being pottery and jewellery making. They’re both patient crafts but also a lot of fun and make for great presents.

Who are your mentors and what have you learned from them?

I started at Warren and Mahoney in April 2015 and one of the first projects I worked on was some feasibility/concepts for Wynyard Quarter with Blair (Johnston). It was so different to anything I had done before – these buildings are changing the face our city. It was a privilege to get an insight into Blair’s thinking process and the speed at which he works. He’s also been extremely supportive of other opportunities that have come up along the way.

I’ve also worked on a housing development with Patrick (Sloan) and it was fascinating to learn from his experiences in China. He encouraged me into some leadership of aspects of the project (with guidance), such as taking the lead at weekly meetings with clients.

Lastly, I’ve learnt a lot from working with Lynda Simmons, co-chair of Architecture +Women NZ. Listening to her talk about why she does what she does showcases the passion with which she carries out her work for A+W. The depth of her research and analysis is evident – her work shines the light on other incredible people and provides opportunities for many more. This takes a kind of selflessness, and it is something I have always admired.

What are you working on at the moment?

My time is predominantly split between two projects: Wynyard Quarter Innovation Precinct (commercial) which has a number of buildings at varying stages and Tauranga Crossing, a retail mall typology. Interestingly, my thesis project at university looked at the homogenisation of architecture, particularly in regard to retail environments so it’s great to be part of a team that is making the Tauranga building contextually relevant. The strategies can be relatively simple and by breaking retail mall conventions, we are able to achieve much more warm, relevant and gritty outcomes rather than an all-white faceless box.

How far along the path to registration are you?

I’m hoping to get there in a year or two, but it’s not a race. Some graduates get the relevant experience in two or three years. Others work on projects that take a bit longer. Learning is the invaluable thing and architecture, for me, is bigger than registration. So yes, it’s on my ‘to do’ list but I’ll do it when I’m ready. Besides, I’m still under 30 – and they say that at 45, you’re still a young architect – so I have a way to go!

You are the liaison between the NZIA and Architecture + Women NZ. How did you get involved in that organisation?

A+W-NZ is an active group that promotes visibility and inclusiveness for those who work in architecture via four channels – networks, events, research and policies. And the NZIA Auckland Branch Committee is filled with people who are driven and contribute immensely towards their various portfolios with their time, energy and networks. As secretary of A+W-NZ, my role is to carry information between the two organisations, to update them on events, share knowledge, report on activities and seek potential opportunities.

I also think A+W-NZ is an important organisation because discussing issues around diversity and workplace culture can be a great tool for the visibility of many other groups in the profession. We wouldn’t be where we are if it wasn’t for previous generations of female architects who have worked tirelessly to achieve this nurturing environment for the rest of us.

You will be taking part in the Architecture + Women and SGA workshop soon. What does that involve?

Lily Wong and I will be sharing participation in the 8-week project that is held at the SGA workshop. We’ll be prefabricating a building for the Motu Kaikoura Trust whose research facility in Kaikoura Island burnt down in 2013 due to arson.

The new building, designed by SGA, will be prefabricated at the SGA and Crate workshops in Kingsland and barged to Kaikoura Island (off Great Barrier Island) for assembly over Labour Weekend.

This workshop will help us understand the building process from inside out and the value in efficiency of materials and processes. But most importantly, this is an opportunity for us to build for the community. The most rewarding outcome will be to observe how the building gets used over time, how it weathers, and the satisfaction of people using and moving through something you built with your own hands.  It’s an exciting, one-of-a-kind opportunity – but first, I think I’ll need to find myself a tool belt.

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“We are very pleased to welcome Richard to our board. He has extensive experience across key sectors such as tourism, transport and infrastructure and urban design and with organisations that are fast evolving and dynamic.”

John Coop

Warren and Mahoney Limited has announced the appointment of Richard Leggat as an independent director to the practice’s board of directors effective January 2018. The announcement represents an increase in the size of the board from seven to eight directors, with Richard Leggat joining Anne Blackburn as its second independent director. 

Warren and Mahoney’s Chair, John Coop says that as the international architectural design practice continues to grow, it’s important to bolster the diversity of perspectives that help govern the business.

“We are very pleased to welcome Richard to our board. He has extensive experience across key sectors such as tourism, transport and infrastructure and urban design and with organisations that are fast evolving and dynamic.”

“We have benefitted from Anne’s independent perspective for several years, and now in addition look forward to Richard’s expertise and insight as we continue to evolve,” said Coop.

Founded in 1955, the practice today employs almost 300 staff across seven integrated studios: Auckland, Tauranga, Wellington, Christchurch, Queenstown, Sydney and Melbourne.

Richard Leggat has been a full time director for the past six years with positions on a number of government and sporting organisations including Tourism New Zealand, Education New Zealand, NZ Post, Panuku Development Auckland, Chair of the NZ Cycle Trail, Director of Cycling and Director of Snow Sports NZ.

“Richard’s directorships have reach and presence across New Zealand, giving him insight into key national issues, as well as an understanding of the priorities and objectives of central and local government,” says Coop.

Born and raised in Christchurch, Richard says he grew up surrounded by Warren and Mahoney projects, and is looking forward to deeper involvement with the business as it is today.  

“Warren and Mahoney is a successful business with a great heritage. My experience with Panuku has shown me the importance of the built environment, how it affects people, and enhances the community and people’s lives.                                                      

“I look forward to using the insights I’ve learned from different sectors to help Warren and Mahoney make good decisions that lead to celebrated outcomes that staff are proud of and the community benefits from,” says Leggat.

Warrenand Mahoney Christmas2017 Red Nobutton

As is tradition at Warren and Mahoney, our creative teams have banded together to create our annual Christmas greeting. 

Please click here to view.

We wish you and your loved ones a safe and happy festive season.

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Gavin is borderless in his outlook, globally aware and very well placed to serve our clients’ interests both locally, in Australia and further afield internationally.”

John Coop

Warren and Mahoney has appointed former global head of civic and events at Woods Bagot, Gavin Kain, as Principal, fortifying the talented line up of the international team.

Kain’s specialist skills in mixed-use precincts and large-scale projects will see the practice continue to expand its presence in Australasia with a ‘one studio’ approach.

“The time is right to embrace the dissolution of borders through technology and strong, global networks,” says Kain. “Australian and New Zealand architectural studios are highly regarded across the world for our innovation and empathy, and our current remit includes a strong foundation of projects that demonstrate our skills spanning diverse sectors.”

Kain leaves his previous position as global head of the civic and events sector at international architecture firm Woods Bagot, where he led design teams on major civic and public buildings, acting as liaison between the client, designers, engineers and other community stakeholders. While at the firm, Kain spent time based in Brisbane, Adelaide, Auckland, and Sydney.

“A key skill in undertaking large-scale projects is the ability to form a strategic alliance with clients, teams, and stakeholders,” says Kain.

“It is imperative to collaborate, listen and respond at every stage of the project timeline. Warren and Mahoney’s process ensures a diversity of perspectives, making for a stronger whole and mitigating risks throughout.”

His two decades of experience has seen him undertake projects and industry roles across the globe, from Vancouver to Dubai, including government design review panels, architectural award juries, and university positions.

Chairman of Warren and Mahoney, John Coop, said it was an ambitious period for the practice and Kain’s appointment aligned with the strategy to develop closer relationships between the seven studios across New Zealand and Australia.

“Gavin’s strength lies in finding the commonalities and differences in each environment,” says Coop.

“He is borderless in his outlook, globally aware and very well placed to serve our clients’ interests both in the Asia Pacific and further afield internationally.” 

Kain’s expansive expertise will add significant weight to the studio’s capabilities. He is a world-wide leader in the design of convention centres, and was a key member of the design team for the New Zealand International Convention Centre in Auckland.

Kain was also responsible for the design of the $400m Adelaide Convention Centre, the New Zealand International Convention Centre in Auckland, the masterplan for the $250m Christchurch Convention Centre, as well as the concept design for major facilities in Asia, Africa and North America.

“Convention centres are often viewed as big, un-activated boxes, but of interest to me is the way they can contribute to city building and be of value to the community. I always ask ‘what will this mean to the place and the people?’” says Kain.

“The Adelaide Convention Centre presented a satisfying opportunity to regenerate part of the city. In some ways, building at its location in North Terrace was the most difficult option, but the outcome was better for visitors and the community.

“The convention centre became a missing piece of the puzzle that stitched the city and river together.”

Kain’s expertise extends over multiple sectors. Notably, he led the $200m South Australian Health and Medical Research Institute (SAHMRI) masterplan, which includes up to 25,000sqm of space within a sculptural building in the heart of Adelaide’s medical and health precinct.

He also worked alongside Warren and Mahoney for five years on the masterplan of the NZ$400m New Zealand International Convention Centre in Auckland, and worked alongside the team on the Christchurch Blueprint and the Commercial Bay mixed-use project.

“I’m excited to join a company that has global aspirations where the design focus reflects and strengthens communities,” says Kain.

Kain will work across projects in both New Zealand and Australia. 

Barrington Nick

Warren and Mahoney, has announced the promotion of Nick Deans and Barrington Gohns to Principal, marking a significant phase of growth for the practice as it continues to expand its presence in Australasia.

Nick and Barrington will be assuming the roles of principal at the Melbourne and Auckland studios respectively and will strengthen the practice’s ‘one studio’ approach, whereby its seven studios across Australia and New Zealand function as a collective team.

A senior architect with Warren and Mahoney since 2015, Nick previously held a position at Woods Bagot and is Chair of the Property Council of Australia’s Future Directions Committee Australia, and an active member of the Australian Institute of Architects.

Nicks’ architectural design work spans a range of sectors including commercial, multi- residential, and tertiary design. He has worked closely with developer, GURNER™’s founder Tim Gurner on several of his latest residential projects including Regent Apartments, Stanley Street Apartments, and the upcoming rejuvenation of The Spanish Club.

Nick's collaborative approach to design mirrors Warren and Mahoney’s commitment to working in strategic partnership with its clients.

“ My career has been built around the strength of professional service and the development of client relationships over a period of time,” said Nick.

“ I am a strong collaborator and am transparent in my approach to design. I am proud to work at a studio that embraces this approach, and brings innovative and functional ideas to all sectors of design.

“ As a trans-Tasman practice, Warren and Mahoney brings a fresh set of eyes and a point of difference to the Australian market.”

Barrington has been with Warren and Mahoney since his days at the University of Auckland in 2009, where he quickly built up a team of specialist graduates to test new environments within private and public-use spaces.

Barringtons’ experience includes major commercial and public projects including the redevelopment of TVNZ, the design and development of five-star Hotel 3 at Auckland Airport and the recently completed mixed-use star car showroom for Giltrap Group.

“ Warren and Mahoney has worked on shaping cities over the past 60 years, creating sustainable communities that bring people together,” said Barrington. 

“This experience gives the studio a unique perspective on city-making that drives us to always look at new and innovative ways of approaching design.”

Gohns’ approach continues to push beyond the realms of traditional architecture, working to create visual installations and technology-driven designs that deliver outstanding results.

Nick and Barrington will work collaboratively across various projects and teams in Australia and New Zealand. 

Chairman of Warren and Mahoney, John Coop, said the promotions mark an important step in Warren and Mahoney’s growth strategy.

“ Nick and Barrington will move into our leadership team, driving us forward and enhancing the skills and capabilities of studio,” said John.

“ As an international practice, our team is comprised of some of the most talented designers from around the world, each of whom bring their own unique set of skills and experience.

“ We are a 300-strong team, and we leverage that experience and hone those skills in the pursuit of architectural excellence.”

Warren and Mahoney has also recently promoted the following individuals to Associate:

Sydney

Thomas Hansen 

Edward Salib 

Auckland

Holly Campbell

Ngata Tapsell

Sebastian Hamilton

Christchurch

Cheryl Kilpatrick