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6955 Nzicc Art 3

“The works complement and amplify not only the key qualities of the building - the weight and substance of the spine wall, and the lightness and transparency of the level 5 prefunction spaces - but also each other, to celebrate and herald the Centre's location here in Tāmaki Makaurau and Aotearoa,"

Richard Archbold

Two of the largest pieces of public art ever created in New Zealand will soon adorn the exterior of the New Zealand International Convention Centre (NZICC) under construction in central Auckland.

The works by two New Zealand artists, Sara Hughes and Peata Larkin, will span a total of 5,760sqm once fully installed on the four external walls of the NZICC.

The two artworks comprise 2,400sqm of glass over 550 panels that wrap around the top level of the NZICC, and 13,500 terracotta tiles that form a spine wall alongside the retail and dining laneway beside the new centre.

Installation of the glass panels will begin later this year, while the terracotta tiles will be installed from mid-2019.

General Manager NZICC, Callum Mallett, says a building of the size and scale of the NZICC offers a rare opportunity to showcase New Zealand’s culture and environment.

“We feel Sara and Peata have absolutely achieved our objective of presenting the building and its surrounds as a unique experience of New Zealand to our local and international visitors. These pieces of art are of a scale that people across Auckland, and those within the NZICC, can appreciate and experience in very personal ways,” says Mr Mallett.

Warren and Mahoney, who designed the NZICC in association with Moller Architects and Woods Bagot, say the highly collaborative design process has leveraged the NZICC’s original design brief to create a building with enduring civic presence and identity.

“We worked closely with Peata and Sara to achieve the complete integration of the artwork into the fabric of the building. Their works complement and amplify not only the key qualities of the building - the weight and substance of the spine wall, and the lightness and transparency of the level 5 prefunction spaces - but also each other, to celebrate and herald the Centre's location here in Tāmaki Makaurau and Aotearoa," says Richard Archbold, Project Architect.

New Zealand art consultant and curator Hamish Keith CNZM OBE, commends the artwork, saying “Sara Hughes’ work well satisfies the physical challenges of the site and the larger impacts of the building on the landscape.

“The work also draws for its impact on the fluid nature of the city’s climate shifts, reflecting the constantly changing skyscape. In design and colour it also has echoes of Auckland’s volcanic landscape,’’ says Mr Keith. 

The huge glass artwork features vertical fin panels on the east and west walls of the NZICC and flat glass panels on the north and south sides. The imagery uses 60 different colour tones, and is inspired by Mrs Hughes’ upbringing in rural Northland near the Waipoua kauri forest.

“The artwork reflects the experience of walking through the New Zealand bush and looking up through a canopy of trees to see the unique light and colour of the forest,’’ says Mrs Hughes.

“To me, it reflects our unique ecosystem and brings the experience of our natural environment to the central
city.”

Peata Larkin’s 105m-long terracotta tile wall will span from Hobson Street to Nelson Street through the future laneway of the NZICC, and wraps back into the building.

Approximately 13,500 terracotta tiles in eight different colours will form a complementary relationship with the glass artwork, and aims to soften and add movement and life to what would have been a straight plain wall. 

“I wanted to create an artwork that described the multiple waterways and fertile soil Tāmaki Makaurau (and Aotearoa) possesses, as well as connect strongly and aesthetically to Sara Hughes’ glasswork. I wanted to soften the long wall and achieved this by creating an undulated geometric pattern inspired by traditional Maori weaving; a subtle three dimensional presence that would visually change dependent on the angle it was viewed from,” says Mrs Larkin.

The two Kiwi artists were selected following initial proposals, and Mr Mallet says their work has been well-received in consultation with Auckland Council, the Crown, other key NZICC stakeholders and members of the arts community.

“With the size, scale and timeline of the project, we knew that Sara and Peata were our best selections as they had experience in, and the capability to, deliver breathtaking works of scale that would set the building apart, the likes of which hasn’t been seen in New Zealand before,” Mr Mallet says.

“This building sits on the ridgeline of Hobson and Nelson Streets and when complete, the artworks will bring a range and richness of colours we don’t see in Auckland’s CBD.’’ 

LED RGB lighting installed within the works will also enable the building to come to life at night with a choreography of changing colour in concert with the nearby Sky Tower. 

The 550 glass panels were manufactured in Singapore, while the 13,500 clay tiles were fired in Spain. Both works are being assembled and installed by New Zealand companies. 

The NZICC is being built by Fletcher Construction Company, a subsidiary of Fletcher Building and is fully funded by SKYCITY under an agreement with the Crown. The art and its installation are part of the budgeted $703m cost of constructing the NZICC and Horizon Hotel.

The NZICC will be New Zealand’s largest purpose-built convention centre, with capacity to take events of up to 4,000 people, and was designed in collaboration with the global business events industry to ensure a sustainable building that can be enjoyed by both local and international conferences of all sizes. 

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Waterview Connection

The New Zealand Institute of Architects honoured innovation and celebrated old and new at their local awards this year.

The awards are part of the New Zealand Architecture Awards programme run by the New Zealand Institute of Architects

This year’s Canterbury jury was led by architect Melanda Slemint. 

“What really stood out is the way architects have been able to keep sight of the human scale, and the context within which the projects sit. Christchurch is undergoing a period of identity change, and some of the new projects speak eloquently about the quality of life we celebrate here,” Slemint noted.

“The world’s best cities have a fine-grained rhythm that creates interest and variation and prevents streets and public spaces from being overwhelming. As post-quake Christchurch continues to develop, it is heartening to see that the city’s architects are attuned to the needs of people.”

Canterbury

King Edward Barracks – Commercial Building Award 

“A fearless sense of adventure and invention is expressed by the skin of this building, that is lyrical and sensuous, and complementary to both the plan and the commercial character of the building. The building acknowledges the river and courtyard like a parent loves a good daughter or son. The Right Honourable R. J. Seddon, Premier and Minister of Defence, would be proud of the fact that 113 years on, his stone still holds centre stage in this fine new building,” the jury commented.

The Arts Centre of Christchurch – Heritage and Restoration Award 

“Designed by Colin Hammond, the EA building is one of several Gothic Revival Buildings that combine to form the Arts Centre, a unique and important part of the cultural and historical heritage of Christchurch, even more so in the post-earthquake city. Accessibility has been introduced to all levels and spaces reconfigured to allow the School of Music to operate effectively in this historic building.

Every detail has been carefully considered in this sympathetic restoration which has breathed life back into the building,” the jury said. 

RJ Stewart Glandovey Road – Heritage and Restoration Award 

A large part of the comprehensive repair of this 80 year old Helmore and Cotterill home was the process of jacking up and relocating the primary structural to allow access to the subfloor. The judges commended the architects for their respect of the original detailing in creating this elegantly designed home.

“Sensitive alterations and extensions to the primary plan have allowed for a conservatory, new service buildings, glasshouse and garage that complement the original building and create seamless transitions from old to new,” the jury said.

Chapman Tripp – Interior Architecture Award 

The jury commended the simple and elegant materiality of this project noting that the light timber and white walls complement the art displayed. Gorgeous views, two exterior terraces, staff breakout rooms and flexible spaces make this workspace a delight to be in, the judges say.

“The simple idea of dividing a long, narrow interior with a spine wall imparts a clear sense of order. This wall also offers a welcoming gesture by creating a stepped series of panels where art is hung and built-in seating provided.”

Christchurch Justice & Emergency Services Precinct – Public Architecture and Interior Architecture Awards

The Justice and Emergency Services Precinct is a Christchurch rebuild ‘anchor project’ that the jury described as a “building without local precedent” that “encompasses many public functions necessary for society to work well.”

“Arranged loosely around a courtyard, this is an imposing building of incredible complexity. Formally ordered to the last sun louvre, it has a palate of materials that suggests endurance. In court, it is perfectly permissible to seek clarification of any ruling. In this instance the ruling is good; this is a well-conceived and beautifully constructed project.”

University of Canterbury College of Engineering – Education Award 

“Separate engineering facilities are now connected to form one cohesive College of Engineering through the design of a new central linking core. This new hub is the strength of this project: the primary elevation is carefully composed, the entry to the college provides an interesting spatial experience, and the hub provides for a wide variety of activities. The atrium is enclosed by a trussed ceiling that is a clear, and appropriate, expression of structural engineering,” the jury said.

The Wool Exchange – Enduring Architecture Award 

This building that originally housed the auction of wool goods was converted into a religious meeting place. The auctioneers’ podium was made in to a lectern for preaching and the square plan that once housed hectic auctions is now used by a Chinese religious congregation. 

The jury said, “The skylight and stairs are exciting architectural moves in an otherwise stolid structure built for endurance like a tight-head prop. In a post-earthquake city, this building has reinforced to the public the message that architecture can endure adversity.”

Auckland

119 Great North Road – Commercial Building, Interior Architecture and Colour Awards 

A winner of three awards this year, this building thoroughly impressed the jury inside and out. “The exposed steel and concrete beams and concrete trusses evoke the modern industrial genesis of automobiles, and sleek surfaces complement the cars’ sculptural forms,” the jury commented about this luxury car showroom and office building’s interior.

The meticulous logistics planning and rigorous detailing mirror the intricacy of the luxury cars on offer. Office interiors are highly polished and the two-storey concrete truss that braces the building is a dramatic diagonal element that adroitly frames the ‘jewel box’ car displays.

King’s School Centennial Building – Education Award 

The jury said the design of this building has “clearly articulated the desire for a learning environment that would create a positive pedagogical impact.”

The well-resolved design incorporates open, flexible and specialised teaching areas that support strong student engagement and interactivity. By opening to Portland Road, the project also shows generosity to the public realm.

Waterview Connection – Planning and Urban Design Award 

This project was a response to growing pressure on Auckland’s infrastructure and the jury commended it for its, “sheer grandeur.” Of particular note was Te Whitinga, the Hendon footbridge, of which the jury said, “[It] successfully and dramatically stitches back together a community that had found itself on either side of the motorway.”

Warren and Mahoney has added a layer of sophistication to the development of this motorway infrastructure project. The use of pou at ventilation shafts and as markers at each portal, seamlessly integrated with the tunnel, brings sheer grandeur to the project.

Wellington

Te Toki a Rata Victoria University of Wellington – Education Award

On the University’s Kelburn campus this science building provides a “legible new gateway.” The jury said, “The building unites this part of the university and forms a dark, reflective backdrop to the array of existing buildings on the opposite side of the courtyard.”

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King's School Centennial Building

Warren and Mahoney was recognised with five awards at the Property Council Rider Levett Bucknall Property Industry Awards last Friday.

Held annually, the awards judge property developments on their economic and financial attributes, vision, design, construction, end user satisfaction and sustainability credentials. Five projects designed by Warren and Mahoney won at the black-tie, sold-out event, which was held at Auckland’s Spark Arena.

Warren and Mahoney’s Managing Director John Coop applauded all who delivered the winning projects.

“We are particularly proud of the projects that we have collaborated on and achieving recognition in four diverse categories. Delivering specialist work across this breadth of sectors requires true depth of capability. The Property Council Awards judge projects on their commercial success and viability, as well as their design. Congratulations to our clients and collaborators."

Judged over a course of three months, the winning entries were:

Warren & Mahoney Civic & Arts Property Award
Excellence
Justice & Emergency Services Precinct, Christchurch

GIB Education Property Award
Excellence & Best in Category
King’s School Centennial Building, Auckland

RCP Commercial Office Property Award
Excellence
12 Madden Street, Auckland 

RCP Commercial Office Property Award
Excellence
Pita Te Hori Centre (King Edward Barracks), Christchurch 

Holmes Consulting Tourism & Leisure Property Award
Excellence
Auckland International Airport Pier B Extension Project, Auckland

 

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Architectural Graduate at Warren and Mahoney's Auckland studio, Divya Purushotham, is the newest Co-Chair of Architecture+Women-NZ after being promoted from the role of Secretary.

Appointed earlier this week, Divya joins current Co-Chair and Architect Lynda Simmons to support A+W-NZ’s core aims of visibility and inclusiveness. The organisation provides a support system and makes the work of its members visible, by removing or reducing as many barriers as possible - including class, religion, culture, sexual orientation or age. A+W-NZ works from the strong platform of gender, for the benefit of the industry as a whole.

“I am delighted to take on this position for an organisation that does important work. Discussing issues around diversity and workplace culture can be a great tool for the visibility of many other groups in the profession. We wouldn’t be where we are if we weren’t already talking about these issues but particularly, if it wasn’t for previous generations of female architects who have worked tirelessly to achieve this nurturing environment for the rest of us.”

She also credits Warren and Mahoney’s support. 

“Warren and Mahoney has been immensely supportive of my involvement with A+W-NZ. Adding to this, generous sponsorships towards the SGA Building Workshop and the Diversity + Inclusion Panel event held at our Auckland Studios earlier this year have enabled some key events and conversations for the organisation.”

Divya takes on the role following the resignation of Elisapeta Heta, who stepped down from Co-Chair after many years of service to A+W-NZ.

 

Nzia Awards

The New Zealand Institute of Architects Canterbury branch honoured innovation and restoration at their local awards this year. The jury conferred 34 wins in 10 categories last night at the Cardboard Cathedral in Christchurch. 

Warren and Mahoney received a total of eight awards, recognising human scale and the context within the projects sit.

"Christchurch is undergoing a period of identity change, and some of the new projects speak eloquently about the quality of life we celebrate here,” Slemint noted.

“The world’s best cities have a fine-grained rhythm that creates interest and variation and prevents streets and public spaces from being overwhelming. As post-quake Christchurch continues to develop, it is heartening to see that the city’s architects are attuned to the needs of people.”

Chapman Tripp - Interior Award

The jury commended the simple and elegant materiality of this project noting that the light timber and white walls complement the art displayed. Gorgeous views, two exterior terraces, staff breakout rooms and flexible spaces make this workspace a delight to be in, the judges say.

“The simple idea of dividing a long, narrow interior with a spine wall imparts a clear sense of order. This wall also offers a welcoming gesture by creating a stepped series of panels where art is hung and built-in seating provided.”

Christchurch Justice & Emergency Services Precinct - Interior Award + Public Award

The Justice and Emergency Services Precinct is a Christchurch rebuild ‘anchor project’ that the jury described as a “building without local precedent” that “encompasses many public functions necessary for society to work well.”

“Formally ordered to the last sun louvre, it has a palate of materials that suggests endurance. In court, it is perfectly permissible to seek clarification of any ruling. In this instance the ruling is good; this is a well-conceived and beautifully constructed project.”

Glandovey Road - Heritage Award

A large part of the comprehensive repair of this 80 year old Helmore and Cotterill home was the process of jacking up and relocating the primary structural to allow access to the subfloor. The judges commended the architects for their respect of the original detailing in creating this elegantly designed home.

“Sensitive alterations and extensions to the primary plan have allowed for a conservatory, new service buildings, glasshouse and garage that complement the original building and create seamless transitions from old to new,” the jury said.

King Edward Barracks - Commercial Award

“A fearless sense of adventure and invention is expressed by the skin of this building, that is lyrical and sensuous, and complementary to both the plan and the commercial character of the building. The building acknowledges the river and courtyard like a parent loves a good daughter or son. The Right Honourable R. J. Seddon, Premier and Minister of Defence, would be proud of the fact that 113 years on, his stone still holds centre stage in this fine new building,” the jury commented.

The Arts Centre of Christchurch - Chemistry Building - Heritage Award

“Designed by Colin Hammond, the EA building is one of several Gothic Revival Buildings that combine to form the Arts Centre, a unique and important part of the cultural and historical heritage of Christchurch, even more so in the post-earthquake city. Accessibility has been introduced to all levels and spaces reconfigured to allow the School of Music to operate effectively in this historic building. Every detail has been carefully considered in this sympathetic restoration which has breathed life back into the building,” the jury said.

University of Canterbury - College of Engineering - Education Award

“Separate engineering facilities are now connected to form one cohesive College of Engineering through the design of a new central linking core. This new hub is the strength of this project: the primary elevation is carefully composed, the entry to the college provides an interesting spatial experience, and the hub provides for a wide variety of activities. The atrium is enclosed by a trussed ceiling that is a clear, and appropriate, expression of structural engineering,” the jury said.

The Wool Exchange - Enduring Architecture

This building that originally housed the auction of wool goods was converted into a religious meeting place. The auctioneers’ podium was made in to a lectern for preaching and the square plan that once housed hectic auctions is now used by a Chinese religious congregation.

The jury said, “The skylight and stairs are exciting architectural moves in an otherwise stolid structure built for endurance like a tight-head prop. In a post-earthquake city, this building has reinforced to the public the message that architecture can endure adversity.”