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2017 Scott Compton Bw 5

“Scott brings incredibly varied and international experience to the role. He is an innovative designer who always keeps his focus on the message that clients are trying to convey."

Andrew Tu'inukuafe

In a move which recognises the growing importance of our interior design team, Warren and Mahoney has appointed Scott Compton as Principal.

Scott, an award-winning interior designer, will be based in the Auckland studio in the Innovation Precinct of the Wynyard Quarter. Fittingly, he was project designer for the workplace in the former Mason Bros building, which Warren and Mahoney relocated to in December 2016. Scott says it was exciting to repurpose this heritage property into an office which opens the doors, literally and metaphorically, to the world. “We designed the space to celebrate both the joy and business of design. It has a real connection to the street that puts our love of design on show.”    

Born in the UK, Scott studied furniture and product design at the Royal Berkshire College of Art and Design. As a graduate, his talents drew him to expand into the bigger-picture arena of spatial concepts.

Before moving to New Zealand in 2012, with his Kiwi-born wife, a fellow interior designer, Scott had already established a significant portfolio. His post-graduation secondment to China helped mature his approach and during a stint at London-based Brinkworth, a consultancy with a focus on the retail sector, his part in the conversion of a character warehouse into a digital agency scooped a prestigious Design Week award.

While at EDGE Architecture & Design also in London, he delivered a workplace for online travel agency Expedia – an environment which was rated by employees as the UK’s number one place to work in the GlassDoor Awards in 2016 and 2017. “Expedia wanted to create a playful and provocative workspace that engaged their employees, encouraged them to come together and feel a part of the success of what is a massive, world-leading brand,” says Scott.

When Scott joined Warren and Mahoney five years ago he initially worked from the Wellington studio where one of his first tasks was as lead interior designer on the 21,000- square-metre base build and fit-out of a workplace at 15 Stout Street, tenanted by the Ministry of Business, Innovation & Employment. That project received a 2016 New Zealand Institute of Architects Wellington Architecture Award for Heritage.

Recent undertakings include the refurbishment of the offices of legal firm Russell McVeagh, and the upgrade of the six-storey TVNZ headquarters where Scott worked on strategy and design implementation. “The atrium is evocative of a ‘media city in the sky’ and the inspiration came from a benchmark image from the science fiction cult classic Blade Runner,” he explains. The ‘Open and Live’environment ensures operations within TVNZ are visibly connected throughout and that ‘content’ is integrated and celebrated within the building.

“Scott brings incredibly varied and international experience to the role. He is an innovative designer who always keeps his focus on the message that clients are trying to convey,” says Andrew Tu’inukuafe, fellow Principal and leader of the interiors team.

The thriving Auckland market is rich with opportunities for the interior design arm of the practice. “It is a tremendous privilege to be able to work with a client base that has been built up over Warren and Mahoney’s sixty year history,” says Scott. “I’m proud to be part of a leadership team that, by creating the right design for the right reasons, will empower our clients to achieve the results that they want for their businesses.”   


Waterview Connection1

Waterview Connection

The New Zealand Institute of Architects honoured innovation and celebrated old and new at their local awards this year.

The awards are part of the New Zealand Architecture Awards programme run by the New Zealand Institute of Architects

This year’s Canterbury jury was led by architect Melanda Slemint. 

“What really stood out is the way architects have been able to keep sight of the human scale, and the context within which the projects sit. Christchurch is undergoing a period of identity change, and some of the new projects speak eloquently about the quality of life we celebrate here,” Slemint noted.

“The world’s best cities have a fine-grained rhythm that creates interest and variation and prevents streets and public spaces from being overwhelming. As post-quake Christchurch continues to develop, it is heartening to see that the city’s architects are attuned to the needs of people.”

Canterbury

King Edward Barracks – Commercial Building Award 

“A fearless sense of adventure and invention is expressed by the skin of this building, that is lyrical and sensuous, and complementary to both the plan and the commercial character of the building. The building acknowledges the river and courtyard like a parent loves a good daughter or son. The Right Honourable R. J. Seddon, Premier and Minister of Defence, would be proud of the fact that 113 years on, his stone still holds centre stage in this fine new building,” the jury commented.

The Arts Centre of Christchurch – Heritage and Restoration Award 

“Designed by Colin Hammond, the EA building is one of several Gothic Revival Buildings that combine to form the Arts Centre, a unique and important part of the cultural and historical heritage of Christchurch, even more so in the post-earthquake city. Accessibility has been introduced to all levels and spaces reconfigured to allow the School of Music to operate effectively in this historic building.

Every detail has been carefully considered in this sympathetic restoration which has breathed life back into the building,” the jury said. 

RJ Stewart Glandovey Road – Heritage and Restoration Award 

A large part of the comprehensive repair of this 80 year old Helmore and Cotterill home was the process of jacking up and relocating the primary structural to allow access to the subfloor. The judges commended the architects for their respect of the original detailing in creating this elegantly designed home.

“Sensitive alterations and extensions to the primary plan have allowed for a conservatory, new service buildings, glasshouse and garage that complement the original building and create seamless transitions from old to new,” the jury said.

Chapman Tripp – Interior Architecture Award 

The jury commended the simple and elegant materiality of this project noting that the light timber and white walls complement the art displayed. Gorgeous views, two exterior terraces, staff breakout rooms and flexible spaces make this workspace a delight to be in, the judges say.

“The simple idea of dividing a long, narrow interior with a spine wall imparts a clear sense of order. This wall also offers a welcoming gesture by creating a stepped series of panels where art is hung and built-in seating provided.”

Christchurch Justice & Emergency Services Precinct – Public Architecture and Interior Architecture Awards

The Justice and Emergency Services Precinct is a Christchurch rebuild ‘anchor project’ that the jury described as a “building without local precedent” that “encompasses many public functions necessary for society to work well.”

“Arranged loosely around a courtyard, this is an imposing building of incredible complexity. Formally ordered to the last sun louvre, it has a palate of materials that suggests endurance. In court, it is perfectly permissible to seek clarification of any ruling. In this instance the ruling is good; this is a well-conceived and beautifully constructed project.”

University of Canterbury College of Engineering – Education Award 

“Separate engineering facilities are now connected to form one cohesive College of Engineering through the design of a new central linking core. This new hub is the strength of this project: the primary elevation is carefully composed, the entry to the college provides an interesting spatial experience, and the hub provides for a wide variety of activities. The atrium is enclosed by a trussed ceiling that is a clear, and appropriate, expression of structural engineering,” the jury said.

The Wool Exchange – Enduring Architecture Award 

This building that originally housed the auction of wool goods was converted into a religious meeting place. The auctioneers’ podium was made in to a lectern for preaching and the square plan that once housed hectic auctions is now used by a Chinese religious congregation. 

The jury said, “The skylight and stairs are exciting architectural moves in an otherwise stolid structure built for endurance like a tight-head prop. In a post-earthquake city, this building has reinforced to the public the message that architecture can endure adversity.”

Auckland

119 Great North Road – Commercial Building, Interior Architecture and Colour Awards 

A winner of three awards this year, this building thoroughly impressed the jury inside and out. “The exposed steel and concrete beams and concrete trusses evoke the modern industrial genesis of automobiles, and sleek surfaces complement the cars’ sculptural forms,” the jury commented about this luxury car showroom and office building’s interior.

The meticulous logistics planning and rigorous detailing mirror the intricacy of the luxury cars on offer. Office interiors are highly polished and the two-storey concrete truss that braces the building is a dramatic diagonal element that adroitly frames the ‘jewel box’ car displays.

King’s School Centennial Building – Education Award 

The jury said the design of this building has “clearly articulated the desire for a learning environment that would create a positive pedagogical impact.”

The well-resolved design incorporates open, flexible and specialised teaching areas that support strong student engagement and interactivity. By opening to Portland Road, the project also shows generosity to the public realm.

Waterview Connection – Planning and Urban Design Award 

This project was a response to growing pressure on Auckland’s infrastructure and the jury commended it for its, “sheer grandeur.” Of particular note was Te Whitinga, the Hendon footbridge, of which the jury said, “[It] successfully and dramatically stitches back together a community that had found itself on either side of the motorway.”

Warren and Mahoney has added a layer of sophistication to the development of this motorway infrastructure project. The use of pou at ventilation shafts and as markers at each portal, seamlessly integrated with the tunnel, brings sheer grandeur to the project.

Wellington

Te Toki a Rata Victoria University of Wellington – Education Award

On the University’s Kelburn campus this science building provides a “legible new gateway.” The jury said, “The building unites this part of the university and forms a dark, reflective backdrop to the array of existing buildings on the opposite side of the courtyard.”

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King's School Centennial Building

Warren and Mahoney was recognised with five awards at the Property Council Rider Levett Bucknall Property Industry Awards last Friday.

Held annually, the awards judge property developments on their economic and financial attributes, vision, design, construction, end user satisfaction and sustainability credentials. Five projects designed by Warren and Mahoney won at the black-tie, sold-out event, which was held at Auckland’s Spark Arena.

Warren and Mahoney’s Managing Director John Coop applauded all who delivered the winning projects.

“We are particularly proud of the projects that we have collaborated on and achieving recognition in four diverse categories. Delivering specialist work across this breadth of sectors requires true depth of capability. The Property Council Awards judge projects on their commercial success and viability, as well as their design. Congratulations to our clients and collaborators."

Judged over a course of three months, the winning entries were:

Warren & Mahoney Civic & Arts Property Award
Excellence
Justice & Emergency Services Precinct, Christchurch

GIB Education Property Award
Excellence & Best in Category
King’s School Centennial Building, Auckland

RCP Commercial Office Property Award
Excellence
12 Madden Street, Auckland 

RCP Commercial Office Property Award
Excellence
Pita Te Hori Centre (King Edward Barracks), Christchurch 

Holmes Consulting Tourism & Leisure Property Award
Excellence
Auckland International Airport Pier B Extension Project, Auckland

 

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Architectural Graduate at Warren and Mahoney's Auckland studio, Divya Purushotham, is the newest Co-Chair of Architecture+Women-NZ after being promoted from the role of Secretary.

Appointed earlier this week, Divya joins current Co-Chair and Architect Lynda Simmons to support A+W-NZ’s core aims of visibility and inclusiveness. The organisation provides a support system and makes the work of its members visible, by removing or reducing as many barriers as possible - including class, religion, culture, sexual orientation or age. A+W-NZ works from the strong platform of gender, for the benefit of the industry as a whole.

“I am delighted to take on this position for an organisation that does important work. Discussing issues around diversity and workplace culture can be a great tool for the visibility of many other groups in the profession. We wouldn’t be where we are if we weren’t already talking about these issues but particularly, if it wasn’t for previous generations of female architects who have worked tirelessly to achieve this nurturing environment for the rest of us.”

She also credits Warren and Mahoney’s support. 

“Warren and Mahoney has been immensely supportive of my involvement with A+W-NZ. Adding to this, generous sponsorships towards the SGA Building Workshop and the Diversity + Inclusion Panel event held at our Auckland Studios earlier this year have enabled some key events and conversations for the organisation.”

Divya takes on the role following the resignation of Elisapeta Heta, who stepped down from Co-Chair after many years of service to A+W-NZ.

 

Nzia Awards

The New Zealand Institute of Architects Canterbury branch honoured innovation and restoration at their local awards this year. The jury conferred 34 wins in 10 categories last night at the Cardboard Cathedral in Christchurch. 

Warren and Mahoney received a total of eight awards, recognising human scale and the context within the projects sit.

"Christchurch is undergoing a period of identity change, and some of the new projects speak eloquently about the quality of life we celebrate here,” Slemint noted.

“The world’s best cities have a fine-grained rhythm that creates interest and variation and prevents streets and public spaces from being overwhelming. As post-quake Christchurch continues to develop, it is heartening to see that the city’s architects are attuned to the needs of people.”

Chapman Tripp - Interior Award

The jury commended the simple and elegant materiality of this project noting that the light timber and white walls complement the art displayed. Gorgeous views, two exterior terraces, staff breakout rooms and flexible spaces make this workspace a delight to be in, the judges say.

“The simple idea of dividing a long, narrow interior with a spine wall imparts a clear sense of order. This wall also offers a welcoming gesture by creating a stepped series of panels where art is hung and built-in seating provided.”

Christchurch Justice & Emergency Services Precinct - Interior Award + Public Award

The Justice and Emergency Services Precinct is a Christchurch rebuild ‘anchor project’ that the jury described as a “building without local precedent” that “encompasses many public functions necessary for society to work well.”

“Formally ordered to the last sun louvre, it has a palate of materials that suggests endurance. In court, it is perfectly permissible to seek clarification of any ruling. In this instance the ruling is good; this is a well-conceived and beautifully constructed project.”

Glandovey Road - Heritage Award

A large part of the comprehensive repair of this 80 year old Helmore and Cotterill home was the process of jacking up and relocating the primary structural to allow access to the subfloor. The judges commended the architects for their respect of the original detailing in creating this elegantly designed home.

“Sensitive alterations and extensions to the primary plan have allowed for a conservatory, new service buildings, glasshouse and garage that complement the original building and create seamless transitions from old to new,” the jury said.

King Edward Barracks - Commercial Award

“A fearless sense of adventure and invention is expressed by the skin of this building, that is lyrical and sensuous, and complementary to both the plan and the commercial character of the building. The building acknowledges the river and courtyard like a parent loves a good daughter or son. The Right Honourable R. J. Seddon, Premier and Minister of Defence, would be proud of the fact that 113 years on, his stone still holds centre stage in this fine new building,” the jury commented.

The Arts Centre of Christchurch - Chemistry Building - Heritage Award

“Designed by Colin Hammond, the EA building is one of several Gothic Revival Buildings that combine to form the Arts Centre, a unique and important part of the cultural and historical heritage of Christchurch, even more so in the post-earthquake city. Accessibility has been introduced to all levels and spaces reconfigured to allow the School of Music to operate effectively in this historic building. Every detail has been carefully considered in this sympathetic restoration which has breathed life back into the building,” the jury said.

University of Canterbury - College of Engineering - Education Award

“Separate engineering facilities are now connected to form one cohesive College of Engineering through the design of a new central linking core. This new hub is the strength of this project: the primary elevation is carefully composed, the entry to the college provides an interesting spatial experience, and the hub provides for a wide variety of activities. The atrium is enclosed by a trussed ceiling that is a clear, and appropriate, expression of structural engineering,” the jury said.

The Wool Exchange - Enduring Architecture

This building that originally housed the auction of wool goods was converted into a religious meeting place. The auctioneers’ podium was made in to a lectern for preaching and the square plan that once housed hectic auctions is now used by a Chinese religious congregation.

The jury said, “The skylight and stairs are exciting architectural moves in an otherwise stolid structure built for endurance like a tight-head prop. In a post-earthquake city, this building has reinforced to the public the message that architecture can endure adversity.”