The New Zealand Institute of Architects Canterbury branch honoured innovation and restoration at their local awards this year.
The New Zealand Institute of Architects Canterbury branch honoured innovation and restoration at their local awards this year. The jury conferred 34 wins in 10 categories last night at the Cardboard Cathedral in Christchurch.
Warren and Mahoney received a total of eight awards, recognising human scale and the context within the projects sit.
"Christchurch is undergoing a period of identity change, and some of the new projects speak eloquently about the quality of life we celebrate here,” Slemint noted.
“The world’s best cities have a fine-grained rhythm that creates interest and variation and prevents streets and public spaces from being overwhelming. As post-quake Christchurch continues to develop, it is heartening to see that the city’s architects are attuned to the needs of people.”
The jury commended the simple and elegant materiality of this project noting that the light timber and white walls complement the art displayed. Gorgeous views, two exterior terraces, staff breakout rooms and flexible spaces make this workspace a delight to be in, the judges say.
“The simple idea of dividing a long, narrow interior with a spine wall imparts a clear sense of order. This wall also offers a welcoming gesture by creating a stepped series of panels where art is hung and built-in seating provided.”
The Justice and Emergency Services Precinct is a Christchurch rebuild ‘anchor project’ that the jury described as a “building without local precedent” that “encompasses many public functions necessary for society to work well.”
“Formally ordered to the last sun louvre, it has a palate of materials that suggests endurance. In court, it is perfectly permissible to seek clarification of any ruling. In this instance the ruling is good; this is a well-conceived and beautifully constructed project.”
Glandovey Road - Heritage Award
A large part of the comprehensive repair of this 80 year old Helmore and Cotterill home was the process of jacking up and relocating the primary structural to allow access to the subfloor. The judges commended the architects for their respect of the original detailing in creating this elegantly designed home.
“Sensitive alterations and extensions to the primary plan have allowed for a conservatory, new service buildings, glasshouse and garage that complement the original building and create seamless transitions from old to new,” the jury said.
“A fearless sense of adventure and invention is expressed by the skin of this building, that is lyrical and sensuous, and complementary to both the plan and the commercial character of the building. The building acknowledges the river and courtyard like a parent loves a good daughter or son. The Right Honourable R. J. Seddon, Premier and Minister of Defence, would be proud of the fact that 113 years on, his stone still holds centre stage in this fine new building,” the jury commented.
“Designed by Colin Hammond, the EA building is one of several Gothic Revival Buildings that combine to form the Arts Centre, a unique and important part of the cultural and historical heritage of Christchurch, even more so in the post-earthquake city. Accessibility has been introduced to all levels and spaces reconfigured to allow the School of Music to operate effectively in this historic building. Every detail has been carefully considered in this sympathetic restoration which has breathed life back into the building,” the jury said.
“Separate engineering facilities are now connected to form one cohesive College of Engineering through the design of a new central linking core. This new hub is the strength of this project: the primary elevation is carefully composed, the entry to the college provides an interesting spatial experience, and the hub provides for a wide variety of activities. The atrium is enclosed by a trussed ceiling that is a clear, and appropriate, expression of structural engineering,” the jury said.
The Wool Exchange - Enduring Architecture
This building that originally housed the auction of wool goods was converted into a religious meeting place. The auctioneers’ podium was made in to a lectern for preaching and the square plan that once housed hectic auctions is now used by a Chinese religious congregation.
The jury said, “The skylight and stairs are exciting architectural moves in an otherwise stolid structure built for endurance like a tight-head prop. In a post-earthquake city, this building has reinforced to the public the message that architecture can endure adversity.”